by Chuck Tryon — Fayetteville State University
March 01, 2010 – 11:57
The latest paean to print-based film criticism, Thomas Doherty’s Chronicle of Higher Education article, “The Death of Film Criticism,” surveys the recent history of film criticism and concludes that today’s digital “young punks” are happily supplanting all pretense of literacy and seriousness in order to pour out their “visceral and emotional” responses to films all over the (digital) page. Doherty is weighing in on a debate that has been circulating for several years now online and in print–I weighed in on this very debate about film blogging in Reinventing Cinema–and reaches a not terribly surprising conclusion that the internet age has threatened a form that featured such luminaries as Carl Sandburg and that reached its apotheosis with the debates between Pauline Kael and Andrew Sarris. It’s a powerful and persuasive narrative, especially when juxtaposed against job market crises in academia and in journalism, but in treating film criticism as a genre, it obscures quite a bit. ... read more »