It’s like reality TV for famous filmmakers: wacky games with ridiculous rules bring out the real man. In this episode, our intrepid directors don’t have to eat maggots but they do have to shoot almost an entire feature film within the tight, murky confines of a cave. There’s no vistas in reach, the set is all set, the actors can’t do much, and it’s often really dark. Then, the French Ministry of Culture ups the ante for German master, Wener Herzog: consumer camera, four man crew who can only walk on small metal pathways, and very very tight shooting schedule. ... read more »
by Alex Juhasz — Pitzer College
November 15, 2010 – 12:03
Duration is a hallmark of experimental media practices. While always boring, to some extent, great duration works depend upon a profound mirroring of technique and ontology to allow us to ruminate on definitive questions of both cinema and existence: desire and boredom, what lasts and what we will wait for.