documentary

ajuhasz's picture

The Present and the Gif(t)

In his blog here, “Generations,” for SCMS, Chuck Kleinhans said that at his first SCS meeting in the mid-70s “the meeting had two concurrent sessions: the Film Historians on one floor and everything else below.” History still has a big place at SCMS, albeit more dispersed, but I, too, heard and thought about it a great deal since my arrival on Wednesday. ... read more »

ajuhasz's picture

Long Story Short, NYC

3_5_13_Long Story ShortNatalie’s film is an inspiring mix of digital storytelling and artistic vision. Hope to see New Yorkers there! ... read more »

ajuhasz's picture

When ACT UP is remembered … On Visual AIDS

Visual AIDS: What will be the benefits of Queer Archive Activism? (Specifically I am hoping you can comment on the benefits for those who made video and film art in early response to HIV/AIDS, and those who are recontexualizing it now. And of course, generally what are the benefits.)

The benefits to our nostalgic return are threefold: ... read more »

ajuhasz's picture

“I made my mourning productive, collective, and interactive …” on ...

“How can we understand this moment of ‘AIDS Crisis Revisitation’, exemplified by the success of films like United in Anger and How to Survive a Plague. Video artist, activist, and academic Alexandra Juhasz provides some insight. ... read more »

ajuhasz's picture

Palm Springs Art Museum Programs Coincide with World AIDS Day

Please do pass the word, as reported on Palms Springs Life:

“Although the day is titled, A Day With(out) Art, the opposite will be true Saturday (Dec. 1) at the Palm Springs Art Museum.

The museum will present a series of art forms to coincide with the World Health Organization’s World AIDS Day, which began in 1989. Admission is free. ... read more »

ajuhasz's picture

The Flat: Are Feminist Tactics for Holocaust Remembrance Possible?

Let’s say, to be evasive (the first evasions of many; an approach that is definitive of the sensitive territory I trod), that I returned agitated from seeing Arnon Goldfinger’s The Flat. As I tried to explain afterwards to my partner who had not seen the film, and who was a bit mystified about my spectatorial excesses, this was for four entirely entangled reasons: ... read more »

ajuhasz's picture

Of Labor Lost: Name the Enemy

I’m in Boulder Colorado, teaching a summer course on Feminist and Queer Documentary in their film program. My class on Tuesday—on Talking Heads Feminist Labor films—was nothing if not queer: but not in that gay way. Rather, it was stunning for me to re-teach films that are seminal in this history, films I’ve taught many times over the years, and to feel like the words, images, and very ideas being projected are suddenly so strange as to be utterly unfamiliar and therefore outside of comprehension. ... read more »

Shawn Sobers's picture

New website of my films, photography, text and things……

Please visit my new website ‘Shawn Sobers – Visual Anthropology’ at www.shawnsobers.com

Thank you.  I hope you enjoy it. ... read more »

Shawn Sobers's picture

THE DAY ANGELS WEPT: Ideology, Television and Rodney King

Written in 1995 when I was in my second year of my undergraduate degree, I wrote this essay about Rodney King, the LA riots, and the role of the media. I thought it was apt to upload it here today, on the day of Rodney King’s death.

http://westengland.academia.edu/ShawnSobers/Papers/1732932/THE_DAY_ANGELS_WEPT_Ideology_Television_and_Rodney_King

 

 

 

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ajuhasz's picture

Miss(ing) Representation(s)

Miss Representation (Jennifer Siebel Newsom, 2011) tells a critical and true story about the relations among mainstream media and women’s political and personal power. It follows in the footsteps of decades worth of disconcerting research about women in the media that takes any of four predictable tacks that most grimly have not seemed to have changed much in the many years that feminists have been doing such research: ... read more »