documentary

Chuck Tryon's picture

Documentary, Ethics, Service Learning

To follow up my post on my junior seminar, I’ll quickly add a copy of my course schedule for my Introduction to Film course. In the English department, we have adapted the Intro course so that it will fit into the “ethics and civic engagement” competency for the new core curriculum here at Fayetteville State. ... read more »

ajuhasz's picture

Signification Survival: Jump Cut 55

The new issue of Jump Cut (55, Fall 2013) is hot off the presses, and as always, it is bursting with great scholarly work on any number of issues near and dear to my heart: labor, third cinema, new queer cinema (by my compatriot, Roxanne Samer), feminist porn (by the delightful, Erica Rand), independent and experimental media (with an essay on ... read more »

ajuhasz's picture

Blogger, Professor, Artist, Critic, Fan–237–Fan, Critic, Artist, ...

No way out, I’m afraid. Blog my thoughts about, Room 237, the obsessive, fun, cringe-inducing (at least for cineastes like me), self-reflexive film about films and their critics (fans? bloggers?) and thereby I’m caught in the very same maze too (and caught there with you, dear reader, writer, blogger, critic, professor?) ... read more »

ajuhasz's picture

The Present and the Gif(t)

In his blog here, “Generations,” for SCMS, Chuck Kleinhans said that at his first SCS meeting in the mid-70s “the meeting had two concurrent sessions: the Film Historians on one floor and everything else below.” History still has a big place at SCMS, albeit more dispersed, but I, too, heard and thought about it a great deal since my arrival on Wednesday. ... read more »

ajuhasz's picture

Long Story Short, NYC

3_5_13_Long Story ShortNatalie’s film is an inspiring mix of digital storytelling and artistic vision. Hope to see New Yorkers there! ... read more »

ajuhasz's picture

When ACT UP is remembered … On Visual AIDS

Visual AIDS: What will be the benefits of Queer Archive Activism? (Specifically I am hoping you can comment on the benefits for those who made video and film art in early response to HIV/AIDS, and those who are recontexualizing it now. And of course, generally what are the benefits.)

The benefits to our nostalgic return are threefold: ... read more »

ajuhasz's picture

“I made my mourning productive, collective, and interactive …” on ...

“How can we understand this moment of ‘AIDS Crisis Revisitation’, exemplified by the success of films like United in Anger and How to Survive a Plague. Video artist, activist, and academic Alexandra Juhasz provides some insight. ... read more »

ajuhasz's picture

Palm Springs Art Museum Programs Coincide with World AIDS Day

Please do pass the word, as reported on Palms Springs Life:

“Although the day is titled, A Day With(out) Art, the opposite will be true Saturday (Dec. 1) at the Palm Springs Art Museum.

The museum will present a series of art forms to coincide with the World Health Organization’s World AIDS Day, which began in 1989. Admission is free. ... read more »

ajuhasz's picture

The Flat: Are Feminist Tactics for Holocaust Remembrance Possible?

Let’s say, to be evasive (the first evasions of many; an approach that is definitive of the sensitive territory I trod), that I returned agitated from seeing Arnon Goldfinger’s The Flat. As I tried to explain afterwards to my partner who had not seen the film, and who was a bit mystified about my spectatorial excesses, this was for four entirely entangled reasons: ... read more »

ajuhasz's picture

Of Labor Lost: Name the Enemy

I’m in Boulder Colorado, teaching a summer course on Feminist and Queer Documentary in their film program. My class on Tuesday—on Talking Heads Feminist Labor films—was nothing if not queer: but not in that gay way. Rather, it was stunning for me to re-teach films that are seminal in this history, films I’ve taught many times over the years, and to feel like the words, images, and very ideas being projected are suddenly so strange as to be utterly unfamiliar and therefore outside of comprehension. ... read more »