documentary

ajuhasz's picture

The Flat: Are Feminist Tactics for Holocaust Remembrance Possible?

Let’s say, to be evasive (the first evasions of many; an approach that is definitive of the sensitive territory I trod), that I returned agitated from seeing Arnon Goldfinger’s The Flat. As I tried to explain afterwards to my partner who had not seen the film, and who was a bit mystified about my spectatorial excesses, this was for four entirely entangled reasons: ... read more »

ajuhasz's picture

Of Labor Lost: Name the Enemy

I’m in Boulder Colorado, teaching a summer course on Feminist and Queer Documentary in their film program. My class on Tuesday—on Talking Heads Feminist Labor films—was nothing if not queer: but not in that gay way. Rather, it was stunning for me to re-teach films that are seminal in this history, films I’ve taught many times over the years, and to feel like the words, images, and very ideas being projected are suddenly so strange as to be utterly unfamiliar and therefore outside of comprehension. ... read more »

Shawn Sobers's picture

New website of my films, photography, text and things……

Please visit my new website ‘Shawn Sobers – Visual Anthropology’ at www.shawnsobers.com

Thank you.  I hope you enjoy it. ... read more »

Shawn Sobers's picture

THE DAY ANGELS WEPT: Ideology, Television and Rodney King

Written in 1995 when I was in my second year of my undergraduate degree, I wrote this essay about Rodney King, the LA riots, and the role of the media. I thought it was apt to upload it here today, on the day of Rodney King’s death.

http://westengland.academia.edu/ShawnSobers/Papers/1732932/THE_DAY_ANGELS_WEPT_Ideology_Television_and_Rodney_King

 

 

 

  ... read more »

ajuhasz's picture

Miss(ing) Representation(s)

Miss Representation (Jennifer Siebel Newsom, 2011) tells a critical and true story about the relations among mainstream media and women’s political and personal power. It follows in the footsteps of decades worth of disconcerting research about women in the media that takes any of four predictable tacks that most grimly have not seemed to have changed much in the many years that feminists have been doing such research: ... read more »

ajuhasz's picture

Playing the Pain Card: The Retraction of Ira Glass

This post is late in the news cycle of this media event because I tried, unsuccessfully, to publish it as an Op Ed. Enjoy!

A few weeks ago, an unfortunate scandal played out at Pitzer College, where I am a Professor of Media Studies. At a student senate meeting, a small group of students requested the establishment of the Caucasian Culture Club. After lengthy questioning from the senators, engendering insensitive justifications, the request was denied. ... read more »

ajuhasz's picture

Feminist Documentary: Victim or Adventurer?

After my return from the Women, Social Justice, Documentary conference at Smith last weekend it took me awhile to name a certain disquiet that was raised for me there. Critically, my concerns had nothing to do with the strength of the presentations or the commitment of the community. It was reaffirmed for me there that: ... read more »

ajuhasz's picture

Two Conferences: One Students’/Women’s Media Power

Home after back-to-back events where I wore one hat that just might be construed as two (an interesting slip [of the tongue] or tip [of the hat] that helps point out some of my unease with [my place in] the “Digital Humanities,” more on that to come). ... read more »

ajuhasz's picture

Factiness: Lifespans of and Pissing Matches over

John D’Agata, “author,” and Jim Fingal,” fact-checker’s” The Lifespan of a Fact is an initially intriguing, often funny, sometimes intellectually stimulating dialogue in the Socratic mode between a famous writer and Professor of Non-Fiction Writing (University of Iowa) and a lowly intern (who I think went to Harvard), that sadly often devolves into a testosterone-driven pissing m ... read more »

ajuhasz's picture

Why I Won’t See Devil Inside: Because It’s Probably Dumb…

I have some passing interest in horror (I teach a class on it), I am supposed to be an “expert” on fake documentaries, and my recent concern is user-made video. Thus, I feel some professional obligation to see (and then write about) films in the fake register that are either big-grossing or viral-wonders (i.e. ... read more »