by Chuck Tryon — Fayetteville State University
April 02, 2010 – 13:39
There is a tendency in meta-industry books about Hollywood to promise that the author will reveal hidden truths about how the studio system (or multimedia conglomerates) operate, one that promises to take us beneath the artificial sheen and airbrushed glamor of the star system or the breathless accounts of box office records found in trade publications such as Variety and The Hollywood Reporter. Given that Hollywood entertainment is predicated on spectacle, such approaches are tempting. They have pervaded the ideological criticism found in academic journals for decades. ... read more »