media studies

Chuck Tryon's picture

Fast, Cheap, and Hypermobile: More Digital Distribution Notes

I’ve been spending the last few days recovering from and catching up after my trip out to California for SCMS, so I haven’t been able to follow some of the recent debates about new directions in film distribution as closely as I would have liked.  So consider this pot to be a quick recap and reflection on some of the conversations that are taking place.  These notes tend to ramble somewhat, and there isn’t really a thesis here, just an attempt to make sense of some of the ongoing discussions that have been taking place in recent weeks. ... read more »

Chuck Tryon's picture

The Place of Blockbuster

At this week’s SCMS, I presented a paper, “Redbox or Red Envelope: Closing the Window on the Bricks-and-Mortar Video Store,” exploring the implications of the rise of alternative forms of video distribution and the seemingly imminent demise of chain video stores. ... read more »

Jason Mittell's picture

Why a book?

I’ve just finished the fifth and final day of the marathon Society for Cinema and Media Studies conference in LA, and it was by far one of the best large-scale conferences I’ve ever been to. I attended no bad panels, and only a couple of weak papers – which is pretty rare! Either I got really lucky, my standards have dropped, or the quality of the conference was strong (let’s be generous and assume the third). ... read more »

ajuhasz's picture

Drive-Bye SCMS

I performed a few drive-bys at SCMS (parking $40!) as it was held in my own town, meaning I stayed home and was thus left to perform Mommy-duty while other conference-goers cocktailed into the night. No matter, I attended 4 panels, 1 workshop (Queer Mentoring, where I spoke) and 1 party, and here’s a fly-by of my idiosyncratic bests: ... read more »

Chuck Tryon's picture

SCMS Blogging

In case you missed it elsewhere, I wrote yesterday’s SCMS conference report for Antenna.  It’s pretty much impossible to summarize my reactions to four different panels in the space of 600-700 words, but as you’ll see, I found many of the panels I attended yesterday to be incredibly productive and engaging.  While you’re in the neighborhood, you should read yesterday’s report from Derek Kompare, as well.

Chuck Tryon's picture

Monday Links: Alice, Box Office, Green Zone

My spring break is now officially over, but for once, it has been fortuitously timed. Next week, I will be going out to Los Angeles for the Society for Cinema and Media Studies conference, and thanks to having the break before the conference, I’ve had a chance not only to finish my talk but also to sort through some ideas for future writing projects. I’m not ready to divulge too much, but obviously the topics I’ve been thinking about in my blog are a pretty good clue for measuring what I’ll be writing about in longer form. ... read more »

Chuck Tryon's picture

Alice in Wonderland 3D Imax

Because of my interest in 3D filmmaking practices, I was curious to see Tim Burton’s adaptation of Lewis Carroll’s Alice in Wonderland (IMDB).  Because the book has such vividly imagined characters and landscapes, it seemed uniquely suited to both the surreal visual imagination of Tim Burton and the perspectival potentials of 3D filmmaking. ... read more »

Chuck Tryon's picture

DVDs and Film History

Thanks to a project I’m currently developing on new models of DVD distribution, I’ve been thinking a lot lately about the utopian claims about “long tail” retailing and its relationship to film history. In Reinventing Cinema, I expressed quite a bit of skepticism about claims that at some point in the future, film consumers and cinephiles would have access to the entire history of cinema at the click of a mouse, a claim expressed most vividly in this New York Times article by A.O. ... read more »

Chuck Tryon's picture

Paramount and Microbudget Filmmaking

I’m watching powerlessly as my spring break slowly slips through my fingers, but looking forward to attending this year’s SCMS conference out in Los Angeles and, soon afterwards, this year’s Full Frame festival.  Would love to catch up with any readers who are attending one or both of these events. For now, though, I find myself increasingly intrigued by the launch of Paramount’s microbudget division, Insurge, which promises to produce and release films with budgets of less than $100,000. ... read more »

ajuhasz's picture

Learning from Huffington Post College

I was pleased to be informed by a staff member that Learning from YouTube was chosen as one of the “ten coolest college classes” by none other than the Huffington Post. I guess I shouldn’t have been surprised that this honor proved to be in the spirit of CollegeHumor only, but I would have thought better of the HP as CollegeHumor already successfully mocks stuff, it doesn’t need a grown-up knock-off. ... read more »