Narrative

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Homeland, Emotional Plausibility, and the Tethered Triangle

My favorite show currently airing is Homeland, which I have found far less problematic in its second season than many critics seem to. [Note: I’ll be vague & unspoilerly for the first part of this post, clearly marking when I dive into specific plot points at length beneath the fold.] Part of my reaction is because I’ve watched it at the same time as rewatching season 1 as part of the screening for my Television & American Culture course (and as an aside, it’s worked wonderfully for teaching!). ... read more »

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Back to the Classroom

Summer is over (even though it remains in the 80s in Vermont this week), which means my sabbatical is completely over. It was a great one, with a wonderful fellowship in Germany, a lot of writing, travel for lectures & conferences, and lots of quality family time. But yesterday, I returned to the Middlebury classroom for the first time in 16 months, officially marking the return to normal professional life (and a reminder of how exhausting a day of teaching can be!). ... read more »

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Tarantula Boy and Surprise Memory

Last night’s Breaking Bad episode, “Dead Freight,” offers an interesting example of a phenomenon I’ve termed “surprise memory,” or the narrative effect of being surprised by something you know but have forgotten (or more accurately, allowed to be archived from your working memory). ... read more »

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Skyler’s Story

One part of Breaking Bad‘s new season 5 that I’m finding most impressive is Skyler’s development. This is by no means a consensus opinion, as Skyler has long been the target of many Breaking Bad fans’ ire. ... read more »

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Complex TV: Comprehension

It’s been a dormant month of July on the book-writing/publishing front, as I’ve been busy returning from my year abroad in Germany, settling back in Vermont, and having some family vacation time. I do hope to resume writing and pre-publication, as I have only a few more chapters left to go before I’ve got a full draft of Complex TV ready to submit to NYU Press. So I’ll start out August by posting the next chapter, focused on issues of narrative comprehension. ... read more »

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Pre-publication and publicity

It’s been a quiet month on the blogging and writing front, as I’ve taken a break from Complex TV to undertake the big move from Germany back to Vermont, and take some time for family vacation. But I hope to return to the book later this week to respond to comments, post new chapters, and finish writing the manuscript over the rest of the summer before the pressures of teaching & chairing (and the continual parenting priorities) take over my time. ... read more »

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Complex TV: Character

My time in Germany is almost up, as we return to Vermont in early July. It’s been a productive writing year, with around 80% of Complex TV completed and a few other projects underway. Here is the last chapter of Complex TV to be posted from Germany, with the remaining chapters emerging over the Vermont summer. ... read more »

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More data on scene rhythms

A couple of quick updates. First, my article that I published previously to the blog, “Playing for Plot in the Lost and Portal Franchises” has been published in a revised version in the journal Eludamus: Journal for Computer Game Culture. ... read more »

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Complex TV: Evaluation

It’s time for another chapter of Complex TV – this one focuses on questions of evaluation in television scholarship. Here’s the abstract: ... read more »

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The Scenic Rhythms of Game of Thrones

I finished watching the second season of Game of Thrones last night, which I enjoyed, but liked less than the first season (no spoilers forthcoming if you’re not caught up yet). I think a large part of that distinction came from how I watched them – like many, I came to season one late, bingeing on the entire 10-episode run in about a week. I had been spoiled on the season’s main death, but still very much enjoyed the narrative momentum and world-building. ... read more »