photography

Roots & Wings Photography – Press Release

I have some photography work in this exhibition.  The show tours Crawley, Barbados and Brighton throughout 2012.

PRESS RELEASE... read more »

Marginalia – Notes in Books (Shoot 3)

“There remains a woeful lack of critical analysis of capitalism here.”
Book owned and notes by Graham Bottrill... read more »

WORDS INSIDE: Books, Marginalia and Technology

WORDS INSIDE
Artist Statement... read more »

Review of Shooting Youth photography exhibition at Knowle West Media ...

In Roland Barthes famous book about photography, Camera Lucida, the French theorist writes, “Ultimately, photography is subversive, not when it frightens, repels, or even stigmatizes, but when it is pensive, when it thinks.... read more »

Photography, protest and politics (deliberate small’p's)

Over the next year I’m going to go back to my roots and make more pictures, both still and moving, as well as writing words (which I may do less).  As a political (small ‘p’) animal at heart, it is work that has something to say, or maybe more importantly work that asks questions, that inspires me most in terms of my own creative practice.  (I don’t force this upon my students, although they do at least have to have a focused idea they are pursuing!)... read more »

Nick Mirzoeff's picture

Time and the photographic common

Time regained

History repeats itself…(Marx)

The French Revolution was a leap into the open air of history (Benjamin)... read more »

Nick Mirzoeff's picture

“Made in the USA”: photos from Tahrir Square, Cairo

These photographs were sent in response to my last blog post from Tahrir Square. All were sent by Cairo based artist collective and artist HR. [Names removed to protect photographers], who suggested the title “Made in the USA,” derived from the gas canister in the first photograph below.

I’m putting them up as is without commentary: a piece on the impact and problems of “watching” the revolution (whether from the USA or elsewhere) follows on Monday.... read more »

Disconnected colonial landscapes in a pre-photographic era

Before the invention of photography and film, we got to know the world beyond our personal experience through the oral, drawn, painted and written descriptions of the explorers that went forth, and came back.  The communication between what was experienced via the explorer’s senses, and what was subsequently represented to the people, did not always match up.... read more »