This is a busy week for the Popular Seriality group I’m working with here in Göttingen. First, we took over In Media Res for a series of posts about seriality – my own contribution was on Wednesday, focused on Breaking Bad and how it constructs character interiority through serial memory. Head over and join the conversation! ... read more »
One of the great gifts of sabbatical is having the time to read books that are not immediately required for teaching or manuscript reviews. I’ve taken advantage of that by reading some fiction (and would highly recommend D.B. Weiss’s Lucky Wander Boy if you’re into classic videogames and/or metafiction), as well as some scholarship. ... read more »
An old college friend posted the following on Facebook yesterday: “So I keep watching the show Louie, which I find to be the most depressingly realistic TV I’ve ever seen. I think it’s a really good show, but it’s about as far from comedy as one can get. Why is it called a comedy? The topics are exceedingly heavy, and handled with a minimum of drama – they are too realistic.” My brief reply to her was that the show could be as funny as anything on TV (citing the episode “Come On, God” about masturbation as an example), but that really it’s a show that transcends genre. ... read more »
It was perhaps inevitable that the 2011 crisis of visuality would returned to its source. With the collapse of social order in England, the authority that visuality seeks to make palpable, necessary and right is in crisis where it was first named. As has become typical over the course of this tumultuous year, present-day events appear to be composed of an amalgam of past and present, to use Thomas Carlyle’s famous tag.
I’d been planning on writing up a summary blog post on The Killing‘s first season this week, looking back on what was ultimately a mixed bag of television over its first season. I liked the show overall more than a lot of the critics who’d turned on it midway through the season, as I was often willing to overlook the shoddy plotting and inconsistencies to revel in the visual style (especially in episodes directed by TV veteran Ed Bianchi) and engaging performances.
I’m usually happy to see thoughtful discussions of media storytelling strategies extend into the popular press, as it gives me hope that there is a broad audience for work that engages issues of television narrative and form as my current research aims to do. But I often read such popular accounts with a mix of interest and frustration, with the latter often overtaking the former. ... read more »
I submitted my spring term grades today, which is particularly sweet this year as it marks the unofficial start to my sabbatical–I won’t have teaching responsibilities for the next 15 months! While I do love teaching, I’m definitely ready for a break to refresh, regroup, and research. ... read more »
After the killing of Usama bin Laden, there has been a palpable desire for something to see. Having decided not to release photographs of the operation itself, the U. S. government released an assortment of video clips to the news media today, as if to serve that need. While much attention is being visited on bin Laden’s rather routine flub of his lines for a video recording, it seems from one of the other clips that bin Laden was better networked than we were previously told. Given the large satellite dish visible in pictures of the compound, it’s not surprising that he had TV. ... read more »