Viewers

Veronica Mars and Exchanges of Value Revisited

Wednesday was one of the more interesting days on Twitter I’ve ever seen, from the snarking about the new Pope (same as the old Pope), to the anger over Google mothballing Reader, to the more local disappointment of Wes Welker signing with the Broncos. ... read more »

Media violence and debating effects & influences

Like most people I know, I’m sad, angry, and numb in reaction to the massacre of children and their teachers on Friday. While I feel helpless to affect change in a meaningful way, I do what I can via the small contributions to organizations like the Sandy Hook School Support Fund and the Brady Campaign to Prevent Gun Violence, and writing letters to my Federal and State representatives arguing for increased gun control and funding for mental health initiatives. ... read more »

Tarantula Boy and Surprise Memory

Last night’s Breaking Bad episode, “Dead Freight,” offers an interesting example of a phenomenon I’ve termed “surprise memory,” or the narrative effect of being surprised by something you know but have forgotten (or more accurately, allowed to be archived from your working memory). ... read more »

Complex TV: Comprehension

It’s been a dormant month of July on the book-writing/publishing front, as I’ve been busy returning from my year abroad in Germany, settling back in Vermont, and having some family vacation time. I do hope to resume writing and pre-publication, as I have only a few more chapters left to go before I’ve got a full draft of Complex TV ready to submit to NYU Press. So I’ll start out August by posting the next chapter, focused on issues of narrative comprehension. ... read more »

Complex TV: Transmedia Storytelling

It’s time for another chapter of Complex TV to go live on MediaCommons Press—this time, the topic is Transmedia Storytelling. It builds on work I have done in recent years about how television narratives expand into other media, especially around Lost and its ARGs, but very few of the chapter’s ideas have been published elsewhere. ... read more »

Complex TV: Authorship

I’m happy to announce that the next chapter of Complex TV has been posted. It’s focused on Authorship in contemporary serial television, and I think it’s all never-before-published material. I’ve been giving a talk based on this chapter for this spring, and have been really happy with the conversation it provokes – and I do intend the chapter’s conclusion as a provocation in a number of ways. I look forward to reading people’s comments and feedback on the MediaCommons site. ... read more »

Complex TV: Orienting Paratexts

I’m pleased to post the next chapter of Complex TV, focused on the topic of Orienting Paratexts. Here’s the abstract: ... read more »

Justifying David Simon

Last week, the TV-themed corners of the Internets were all atwitter around a pair of interviews David Simon gave, first to The New York Times, then to Alan Sepinwall at HitFix. ... read more »

Serial Orientations

Last week, I traveled to Bochum, an industrial city in northwest Germany, to serve as a keynote speaker at the conference (Dis)Orientations: (dis)orienting media & narrative mazes. I enjoyed my time in Bochum and at the conference, connecting with some interesting European media scholars and exploring another German city and university. ... read more »

Notes on Rewatching

Last week I had an excellent trip to Ohio, giving talks both at Oberlin College and Ohio State University. At the latter, I was on a panel about television seriality with my friends Chris Becker, Sean O’Sullivan, and Greg Smith. Below is the paper I gave entitled “Why We Watch Again: Notes on Rewatching Television Serials” – as always, I welcome comments on this early draft of what will hopefully turn into a full-fledged portion of my larger project on television narrative.

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