More data on scene rhythms
by Jason Mittell — Middlebury College
June 07, 2012 – 08:17
A couple of quick updates. First, my article that I published previously to the blog, “Playing for Plot in the Lost and Portal Franchises” has been published in a revised version in the journal Eludamus: Journal for Computer Game Culture.
Second, I’ve been playing with the metrics I discussed in my post earlier this week about “scenic rhythms,” and added a number of other episodes to my list. After much tinkering with various spreadsheets and finally finding success with Open Office, I figured out how to put those data into a chart to visualize the different patterns. Again, the two variables are Scenes per Hour and Foci (essentially meaning how many storylines are threaded throughout the episode). Here’s the chart:
My choice of programs was very much based on whatever was handy for me to tabulate. I added a few single camera sitcoms to see how they compare—not surprisingly, the shorter 20-25 minute length and quick comic pacing leads to high SpH. Cougar Town was highest, with a scene per minute, a number boosted by the comic device of the smash cut to another time and/or place for a joke. I also think it’s interesting what a gap there is in number of foci between The Wire / Game of Thrones at 12, and everything else that falls in the 3-7 range. That might be selection bias, so I need to think of other programs that are likely to have more than 7 foci (beyond Treme) – maybe Deadwood?
Do people have ideas for other programs or episodes to include here? I don’t know if I’m ready to launch a full-fledged database of SpH yet like Cinemetrics, but a bit of crowd-sourced brainstorming could be helpful, as I’m thinking of writing an essay on this topic. Some thoughts I have are: to look at some pilot episodes to see how their rhythms might differ from typical episodes; to look at more network dramas, including serialized shows (Revenge and Good Wife are soon to come) and procedurals; to consider multicamera sitcoms in the mix; and maybe spanning back into other eras. There are also some data variables that I need to think about, including defining foci a bit more clearly and also being able to account for the variability of the counts – in some instances, a “focal thread” might only consist of one scene (a serialized “runner”) while another might take up more than half the episode, and likewise a single scene of 10 minutes might skew an episode’s measurement quite a bit – thus Breaking Bad and Game of Thrones have similar SpH, but Breaking Bad features a wider range of scene lengths, while GoT is much more consistently paced throughout.
It feels like this is potentially an interesting tool to provide a clear basis for comparison across genres and production modes, but like any measure it is only useful for particular questions and parameters. So any feedback is much appreciated!
Thu, 07 Jun 2012 13:17:40 +0000