The Body That Can't Win
by Matt Thomas — University of Iowa
August 13, 2010 – 00:01
Sylvester Stallone’s body used to be relatively ordinary looking. Carl Weathers is the superior physical specimen in Rocky (1976) and Rocky II (1979). Likewise, in First Blood (1982), Stallone is shredded, sure, but otherwise there’s nothing especially extraordinary about his physique.
In the early 1980s, however, Stallone transformed his body. The exaggerated musculature people tend to associate with Stallone isn’t fully on display until Rambo: First Blood Part II and Rocky IV in 1985, when Stallone is a decade into his career. The body Stallone built for Rocky/Rambo seemed ill-suited for anything but Rocky/Rambo though. Stallone’s attempts to branch out were, more often than not, met with bemusement followed by indifference, partly, I would argue, because when people looked at Stallone’s body, they saw Rocky/Rambo.
Interestingly, by the 1990s, this body started to arouse concern. Here, for instance, is Michael Atkinson on Stallone’s body in The Specialist (1994): “The average audience’s primary concern will be for Sly’s aging physique; the veins bulge so alarmingly in his shoulders and neck we begin to imagine eventual Cronenbergian implosions. At the very least, a loved one should tell him to ease off the free weights.” In other words, although audiences and critics didn’t buy Stallone as anyone other than Rocky/Rambo, the body Stallone had built for Rocky/Rambo had become so passé it was worrisome.
In 2006 and 2008, respectively, Stallone rebooted the Rocky and Rambo franchises. These films entailed a rebooting of the Rocky/Rambo body as well. In 2007, Stallone was busted for possession of human growth hormone.
The Expendables hits theaters today, and Stallone’s bulging veins are back in the news, along with concern bordering on disgust about them. But there’s also interest in Stallone’s body. The above clip shows Stallone working out furiously prior to filming The Expendables. It’s a trailer, not for the movie but for the body that will be on display in the movie. The body bears a resemblance to the Rocky/Rambo body audiences once felt no compunction about cheering on, but it looks like a crumpled piece of paper version of that body someone’s trying desperately to smooth back out. It’s more vascular. It’s – unexpectedly – festooned with gnarly tattoos.
It’s a body that elicits feelings of concern and awe like no other, and has for three decades now. Once average, then over the top, then unfit for anything but two roles, now repellent and/or revered. Though his characters always do, Stallone’s body, it seems, just can’t win.
No one has reviewed this post… but you need to login to submit feedback
- You Can't Turn a Ho into a Housewife: Basketball Wives and the Politics of Wifedom
- The Winning Side?: Agent Harris and the FBI on HBO’s The Sopranos
- Make a fan vid for MTV and win cool prizes: Participatory pleasures and profits converge
- Back to Nurture: Bear Bodies and The Tactile Tactics of Queer Masculinity
- Synchronous Objects: What else, besides the body, might physical thinking look like?