Recent Posts

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Shirley, You Can’t Be Serious: David Zucker’s Praxis of Evil

by Viveca Greene
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Calling on the Colbert Nation: How fan practices complicate irony

by Catherine Burwell

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Two Words: Chuck Norris

by Ian Reilly

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Ironic Authenticity: Reverend Billy and the Church of Stop Shopping

by Amber Day

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South Park’s Ironic Whiteness

by Ted Gournelos

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Writers & Authorship

by Julia Himberg

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Voices Of Uncertainty - The AMPTP In Their Own Words

by Jennifer Holt
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Strike You!

by Ellen Seiter

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The AMPTP vs. The World

by Derek Kompare

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Of Scabs and Cats: The WGA’s Internet Campaign

by Miranda Banks
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Alternative, mainstream or ?: The case of Radio Bilingue

by Dorothy Kidd

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Citizens’ Media in Southern Colombia

by Clemencia Rodriguez

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Jesus 2.0: Christian Identity and Community on Godtube

by Allison Perlman

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Deconstructing Television from Within: the Alternative Aesthetics ...

by Laura Stein
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Rory Bremner as Ahmadinejad: The Purity of Alternative Media

by Chris Atton
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Infinite Auditions: Dance as Data Set and Habit

by Anna Beatrice Scott
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Unexpected Virtuosity and the Dancing Cockatiel

by Jane Desmond

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Slick Moves: Queer Fight Choreography in The Transporter

by Zachary Dorsey

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You Can’t Stop the Beat – Dance: The Gen X Addiction

by Kelli Kilgore

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National Dance Styles and Global Television Formats

by Dana Heller
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Managing Little Orphan Annie’s excesses

by Avi Santo
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Stars on the Tarmac: 1950s Air Travel & the Global Commodity ...

by Michael Kackman
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Advertising Hillbillies: Genre, Authorship and Audience

by Kyle Barnett

Corporate Authorship, Film Adaptation, and Universal Pictures’ The ...

by Kyle Edwards