Anthony C. Bleach

TypePostAuthorRepliesLast updated
PostTaylor Swift for Sale Tim Anderson162 years 14 weeks ago
PostThe All-Consuming: Scratch Video’s Ambivalent Bodies Leo Goldsmith32 years 15 weeks ago
PostVideo Aesthetics and Nostalgia Deployed in Better Call Saul Anthony C. Bleach62 years 15 weeks ago
PostAffective Horror of the Found Footage Anthology Laura Wilson92 years 15 weeks ago
PostVHS Found Footage and the Material Horrors of Post-Cinematic Images Shane Denson182 years 15 weeks ago
FeedBackFeedback from Anthony C. Bleach on The All-Consuming: Scratch Video’s Ambivalent Bodies Anthony C. Bleach02 years 16 weeks ago
FeedBackFeedback from Anthony C. Bleach on JOLT! And The Glitch Aesthetic Anthony C. Bleach02 years 16 weeks ago
FeedBackFeedback from Anthony C. Bleach on Affective Horror of the Found Footage Anthology Anthony C. Bleach02 years 16 weeks ago
FeedBackFeedback from Anthony C. Bleach on VHS Found Footage and the Material Horrors of Post-Cinematic Images Anthony C. Bleach02 years 16 weeks ago
PostCreative Nonfiction: Taylor Swift & ABC Nashville's Juliette Barnes Cameron White24 years 38 weeks ago
PostTaylor Swift Haters Hate in Many Flavors Anthony C. Bleach04 years 38 weeks ago
PostTaylor Swift as Romantic Punchline Anne Helen Petersen24 years 38 weeks ago
PostShe Knew They Were Trouble: Assertive Authorship in the Max Martin Era Myles McNutt54 years 43 weeks ago
PostSuper Fly and the American Dream: Performing Asian Martial Arts in Blaxploitation Cinema Celeste A. Fisher44 years 51 weeks ago
FeedBackFeedback from Anthony C. Bleach on Super Fly and the American Dream: Performing Asian Martial Arts in Blaxploitation Cinema Anthony C. Bleach04 years 51 weeks ago
PostHip-hopsploitation: Representing 1980s Hip-hop in Wild Style and Beat Street Aaron Dickinson S...125 years 7 weeks ago