Hollis Griffin

TypePostAuthorRepliesLast updated
PostThe “Oh My Salvatore” Vlog as a Case of “Crazy” but Permissible Fan Behavior Kristen Warner91 year 48 weeks ago
PostHow do you hide behind a Kindle? Using books as screens on screen Elizabeth Lenaghan82 years 11 weeks ago
PostMiss Independent, or Between Women - Reconsidered Karen Tongson42 years 18 weeks ago
PostQueer, There, Everywhere: Buying & Selling Citizenship on Gay Narrowcast TV Hollis Griffin52 years 18 weeks ago
Post“I don’t think anyone has an obligation to do anything”: The pop politics of coming out Craig O. Stewart32 years 18 weeks ago
PostAndy Samberg’s D-ck in a Book?: The Highs and Lows of Marketing Literature on the Internet Hollis Griffin02 years 24 weeks ago
PostNadya Suleman: Drag Mom and/or Social Menace Ronald Becker52 years 24 weeks ago
PostThe Selling of Bookselling Ted Striphas62 years 24 weeks ago
PostTalking Heads: Books, Authors, and Television News Hollis Griffin32 years 25 weeks ago
PostHow I Learned to Stop Worrying and Love the "Killer Condom" Kaelin B.C. Alexa...72 years 26 weeks ago
Post“Jumping Your Bones Was Extremely Atypical For Me” Ben Aslinger42 years 28 weeks ago
PostCitizenship in Flames Dana Luciano43 years 10 weeks ago
PostEl Cazador de la Ciudadana Dana Heller63 years 10 weeks ago
Post“Sincerity” as Quality TV? Sport, Community, and the Post-Network Era Victoria E. Johnson13 years 17 weeks ago
PostQueer Friendly Avi Santo13 years 19 weeks ago
PostTelevision’s New Publics and Privates: From Mobile Privatization to Trans-Spatial Publicity? Hollis Griffin13 years 20 weeks ago
PostSteel Magnolia: Nancy Grace and the Epistemology of Place Hollis Griffin23 years 20 weeks ago
Post“Where Does a Girl Have to Go to Find a Pool Table: Gender Performance, Leisure, and The L Word in Second Life” Kelly Kessler43 years 21 weeks ago
PostYours or Ours? The L Word’s OurChart, Internet Social Networking, and Identity Michele White23 years 22 weeks ago