Hollis Griffin

TypePostAuthorRepliesLast updated
PostThe “Oh My Salvatore” Vlog as a Case of “Crazy” but Permissible Fan Behavior Kristen Warner97 years 26 weeks ago
PostHow do you hide behind a Kindle? Using books as screens on screen Elizabeth Lenaghan87 years 40 weeks ago
PostMiss Independent, or Between Women - Reconsidered Karen Tongson47 years 47 weeks ago
PostQueer, There, Everywhere: Buying & Selling Citizenship on Gay Narrowcast TV Hollis Griffin57 years 47 weeks ago
Post“I don’t think anyone has an obligation to do anything”: The pop politics of coming out Craig O. Stewart37 years 47 weeks ago
PostAndy Samberg’s D-ck in a Book?: The Highs and Lows of Marketing Literature on the Internet Hollis Griffin08 years 1 week ago
PostNadya Suleman: Drag Mom and/or Social Menace Ronald Becker58 years 1 week ago
PostThe Selling of Bookselling Ted Striphas68 years 1 week ago
PostTalking Heads: Books, Authors, and Television News Hollis Griffin38 years 2 weeks ago
PostHow I Learned to Stop Worrying and Love the "Killer Condom" Kaelin B.C. Alexa...78 years 3 weeks ago
Post“Jumping Your Bones Was Extremely Atypical For Me” Ben Aslinger48 years 5 weeks ago
PostCitizenship in Flames Dana Luciano48 years 39 weeks ago
PostEl Cazador de la Ciudadana Dana Heller68 years 39 weeks ago
Post“Sincerity” as Quality TV? Sport, Community, and the Post-Network Era Victoria E. Johnson18 years 47 weeks ago
PostQueer Friendly Avi Santo18 years 48 weeks ago
PostTelevision’s New Publics and Privates: From Mobile Privatization to Trans-Spatial Publicity? Hollis Griffin18 years 49 weeks ago
PostSteel Magnolia: Nancy Grace and the Epistemology of Place Hollis Griffin28 years 49 weeks ago
Post“Where Does a Girl Have to Go to Find a Pool Table: Gender Performance, Leisure, and The L Word in Second Life” Kelly Kessler48 years 50 weeks ago
PostYours or Ours? The L Word’s OurChart, Internet Social Networking, and Identity Michele White28 years 51 weeks ago