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In Media Res
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Kyle Barnett

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http://mediacommons.futureofthebook.org/users/kyle-barnett-track
TypePostAuthorRepliesLast updated
PostSpike VGAs: Celebration or Ghettoization? John Vanderhoef535 weeks 3 days ago
PostAn Award without Ceremony: The Critics' Consensus Karen Petruska235 weeks 3 days ago
PostThe Oscars: The Cadillac of Celebrity Paratexts Anne Helen Petersen436 weeks 5 hours ago
PostBest Actress in a Dramedic Role?: The Emmy Awards' Genre Problem Myles McNutt536 weeks 14 hours ago
PostGuilt by Association: The Grammys, The Recording Industry, and Representing Popular Music Culture Kyle Barnett636 weeks 2 days ago
PostMachine Memories: Recorded Sound and Memory Kyle Barnett22 years 28 weeks ago
PostLive Modern with Jack Webb Christopher Anderson52 years 28 weeks ago
PostIn The Cloud and Out of Synch: The Question of Asynchronous Media and Media Studies Tim Anderson52 years 28 weeks ago
PostFalling Man and Mad Men (1:54) Gary Edgerton152 years 30 weeks ago
Post“One language under…”; one language up Hector Amaya13 years 20 weeks ago
PostAdvertising Hillbillies: Genre, Authorship and Audience Kyle Barnett43 years 20 weeks ago
PostCorporate Authorship, Film Adaptation, and Universal Pictures’ The Raven (1935) Kyle Edwards43 years 20 weeks ago
PostStars on the Tarmac: 1950s Air Travel & the Global Commodity Intertext Michael Kackman43 years 21 weeks ago
PostManaging Little Orphan Annie’s excesses Avi Santo43 years 21 weeks ago
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