Matthew Thomas Payne

TypePostAuthorRepliesLast updated
PostOff the Air and the History of Musical Cartoon Animation Wolfgang Boehm11 year 10 weeks ago
PostFlash in the Pan: The Ingredients of "Too Many Cooks" Andrew Seroff51 year 10 weeks ago
PostWound Raider: Authorizing Trauma in Lara Croft's Origin Story Matthew Thomas Payne45 years 9 weeks ago
PostRaiding the Paratexts of Lara Croft Mia Consalvo25 years 9 weeks ago
PostDreams of Being/Killing Lara Croft: Exploring Agency and Gender in Tomb Raider Agnes Trzak and A...45 years 10 weeks ago
FeedBackFeedback from Matthew Thomas Payne and Derek Frank on Raiding the Paratexts of Lara Croft Matthew Thomas Payne05 years 10 weeks ago
PostMarketing Militainment in a Post-bin Laden World Matthew Thomas Payne25 years 18 weeks ago
PostHalo TV: Spartan Ops, Transmedia and Episodic Content John Vanderhoef35 years 18 weeks ago
FeedBackFeedback from Matthew Thomas Payne on Matthew Thomas Payne05 years 29 weeks ago
PostAdvergaming and Niche Branding Matthew Thomas Payne36 years 39 weeks ago
PostMinecraft, "Open-Source Culture," & Networked Game Development Alex Leavitt36 years 40 weeks ago
PostDistract Me Not: iPhone Games Get Creative Zachary McCune46 years 40 weeks ago
PostIndependent of What? Ways Out of the Mainstream Industry's Shadow Randy Nichols56 years 40 weeks ago
PostHelp Wanted, No Experience Necessary Nina Huntemann87 years 2 weeks ago
PostGlobal Machinima: Pros and Cons? Radhika Gajjala118 years 27 weeks ago
PostVideo Game Wii-ealism Matthew Thomas Payne78 years 45 weeks ago
Post"C'mere, stay": Immersion as Immergence, Pervasion, and Abeyance Judd Ruggill69 years 5 weeks ago
PostVirtual Funeral Crashing Dave Parry39 years 17 weeks ago
PostGeek Love: Technical Expertise as a Source of Computer Game Pleasure Judd Ruggill69 years 19 weeks ago