The Blackout Period

The Blackout Period
by Patricia Pisters

Journal of Videographic Film & Moving Image Studies, 4.1, 2017

Looking at To-Be-Looked-at-Ness: Feminist Videographic Criticism

Looking at To-Be-Looked-at-Ness: Feminist ...
by Catherine Grant

Let Them Speak! Against Standardization in Videographic Criticism

Let Them Speak! Against Standardization in ...
by Chiara Grizzaffi

Digital Technologies and Videographic Research Practice

Digital Technologies and Videographic Research Practice
by Christian Keathley

Videographic Telephilia

Videographic Telephilia
by Jason Mittell

Videographic Criticism and Documentary Modes

Videographic Criticism and Documentary Modes
by Drew Morton

Journal of Videographic Film & Moving Image Studies, 3.4, 2016

Thinking Through Acting: Performative Indices and Philosophical Assertions

Thinking Through Acting: Performative Indices and ...
by Aaron Taylor

Give Me a Smile

Give Me a Smile
by Caroline Rumley

HANNIBAL: A Fanvid

HANNIBAL: A Fanvid
by Lori Morimoto

Don’t Look Now: Paradoxes of Suture

Don’t Look Now: Paradoxes of Suture
by Shane Denson

Landscape in Paradigms: Ford’s Monument Valley

Landscape in Paradigms: Ford’s Monument Valley
by Booth Wilson

Journal of Videographic Film & Moving Image Studies, 3.3, 2016

"You Looking at Me?" The Misleading Counter-Shot in ...
by Nilo Couret

Still Brazil

Still Brazil
by Stefan Solomon

Hunger and Rotten Flesh: Cinema Novo, Pasolini, Eisenstein

Hunger and Rotten Flesh: Cinema Novo, Pasolini, ...
by Albert Elduque

¿Por qué me miras así? Magaly, Dolores, and the Authentic Indigenous Icon

¿Por qué me miras así? Magaly, Dolores, and the ...
by Jeffrey Middents

Buñuel in Mexico: The Logic of Delirium

Buñuel in Mexico: The Logic of Delirium
by Cristina Álvarez López

Journal of Videographic Film & Moving Image Studies, 3.2, 2016

Quantum Haunting

Quantum Haunting
by Kevin L. Ferguson

Honolulu Mon Amour

Honolulu Mon Amour
by Nick Warr

Stereotowns

Stereotowns
by Miriam Ross

Opening Movements in Ophuls

Opening Movements in Ophuls
by John Gibbs

Revisiting Bruxelles-Transit

Revisiting Bruxelles-Transit
by Jasper Stratil

Journal of Videographic Film & Moving Image Studies, 3.1, 2016

Facing the Subject (On Observation)

Facing the Subject (On Observation)
by Irene Gustafson

ADAPTATION.'s Anomalies

ADAPTATION.'s Anomalies
by Jason Mittell

Kataskopos: The Extraterrestrial View of the Earth in Film

Kataskopos: The Extraterrestrial View of the Earth ...
by Anthony Patrickson

The Spielberg Touchscreen

The Spielberg Touchscreen
by Ken Provencher

Mothers on the Line: The Allure of Julianne Moore

Mothers on the Line: The Allure of Julianne Moore
by Cüneyt Çakırlar

Journal of Videographic Film & Moving Image Studies, 2.4, 2016

Fembot in a Red Dress

Fembot in a Red Dress
by Allison de Fren

Sight and Sound Conspire: Monstrous Audio-Vision in James Whale’s Frankenstein

Sight and Sound Conspire: Monstrous Audio-Vision in ...
by Shane Denson

A Homeless Ghost: The Moving Camera and its Analogies

A Homeless Ghost: The Moving Camera and its Analogies
by Patrick Keating

Success

Success
by Jaap Kooijman

Encounters

Encounters
by Michael Talbott

A special issue of videographic work from the 2015 Scholarship in Sound & Image workshop.

Journal of Videographic Film & Moving Image Studies, 2.3, 2015

Tag

Tag
by Rob Stone

Joining Up: Scotland, Cinema and the First World War

Joining Up: Scotland, Cinema and the First World War
by David Archibald and Maria A. Velez-Serna

Ceylan's Women: Looking | Being Looked At

Ceylan's Women: Looking | Being Looked At
by Elif Akcali

Observe-Engage-Adapt: Hulot's Method in Playtime

Observe-Engage-Adapt: Hulot's Method in Playtime
by Glenn Stillar

There Is Nothing Outside the Real: Preston Sturges on André Bazin

There Is Nothing Outside the Real: Preston Sturges ...
by David Sorfa

Journal of Videographic Film & Moving Image Studies, 2.2, 2015

Spaghettis in Translation

Spaghettis in Translation
by Austin Fisher

Against the Real

Against the Real
by Cristina Álvarez López and Adrian Martin

So's Nephew by Remes (thanx to Michael Snow) by Jorrie Penn Croft

So's Nephew by Remes (thanx to Michael Snow) by ...
by Jennifer Proctor

The Definition of Film

The Definition of Film
by Richard Misek

The Time Passing

The Time Passing
by Benjamin Sampson