Encounters

Encounters
by Michael Talbott

A special issue of videographic work from the 2015 Scholarship in Sound & Image workshop.

Journal of Videographic Film & Moving Image Studies, 2.3, 2015

Tag

Tag
by Rob Stone

Joining Up: Scotland, Cinema and the First World War

Joining Up: Scotland, Cinema and the First World War
by David Archibald and Maria A. Velez-Serna

Ceylan's Women: Looking | Being Looked At

Ceylan's Women: Looking | Being Looked At
by Elif Akcali

Observe-Engage-Adapt: Hulot's Method in Playtime

Observe-Engage-Adapt: Hulot's Method in Playtime
by Glenn Stillar

There Is Nothing Outside the Real: Preston Sturges on André Bazin

There Is Nothing Outside the Real: Preston Sturges ...
by David Sorfa

Journal of Videographic Film & Moving Image Studies, 2.2, 2015

Spaghettis in Translation

Spaghettis in Translation
by Austin Fisher

Against the Real

Against the Real
by Cristina Álvarez López and Adrian Martin

So's Nephew by Remes (thanx to Michael Snow) by Jorrie Penn Croft

So's Nephew by Remes (thanx to Michael Snow) by ...
by Jennifer Proctor

The Definition of Film

The Definition of Film
by Richard Misek

The Time Passing

The Time Passing
by Benjamin Sampson

Journal of Videographic Film & Moving Image Studies, 2.1, 2015

Frames of Mind

Frames of Mind
by Jordan Tynes and Maurizio Viano

Emoticons

Emoticons
by Patricia Pisters

Volumetric Cinema

Volumetric Cinema
by Kevin L. Ferguson

Screening Surveillance

Screening Surveillance
by Steve Anderson

Busting Out

Busting Out
by Manohla Dargis and Dawn Fratini and Jen Moorman

Journal of Videographic Film & Moving Image Studies, 1.4, 2014

"Look. I Know You're Not Following What I'm Saying ...
by Drew Morton

Revisiting Spike Lee’s “Racial Slur Montage”: Ya Need to Cool that Shit Out

Revisiting Spike Lee’s “Racial Slur Montage”: Ya ...
by Douglas Julien

Essay Meets Plot: JFK and the Boundaries of Narrative

Essay Meets Plot: JFK and the Boundaries of Narrative
by Benjamin Sampson

The Chicken Between the Teeth: Spatial Soliloquy in the Films of Wes Anderson

The Chicken Between the Teeth: Spatial Soliloquy in ...
by David O'Grady

Dialectical Montage in Steven Soderbergh’s PSYCHOS

Dialectical Montage in Steven Soderbergh’s PSYCHOS
by R. Colin Tait

Journal of Videographic Film & Moving Image Studies, 1.3, 2014

The Audiovisual Essay: My Favorite Things

The Audiovisual Essay: My Favorite Things
by Catherine Grant

The Inward/Outward Turn

The Inward/Outward Turn
by Adrian Martin

From Idea to Concept

From Idea to Concept
by Cristina Álvarez López

The Poetics of the Explanatory Audiovisual Essay

The Poetics of the Explanatory Audiovisual Essay
by Ian Garwood

The Audiovisual Research Essay as an Alternative to Text-Based Scholarship

The Audiovisual Research Essay as an Alternative to ...
by Miklos Kiss

Journal of Videographic Film & Moving Image Studies, 1.2, 2014

The ABCs of Forms & Genres

The ABCs of Forms & Genres
by Christian Keathley

Intersection

Intersection
by Girish Shambu

On Video Tributes

On Video Tributes
by Chiara Grizzaffi

Compilation and Found-Footage Traditions

Compilation and Found-Footage Traditions
by Corey K Creekmur

Journal of Videographic Film & Moving Image Studies, 1.1, 2014

[in]Transition: Editors' Introduction

[in]Transition: Editors' Introduction
by Catherine Grant

WHAT IS NEOREALISM (Kogonada)

WHAT IS NEOREALISM (Kogonada)
by Christian Keathley

LAYERS OF PARADOX IN F FOR FAKE (Benjamin Sampson)

LAYERS OF PARADOX IN F FOR FAKE (Benjamin Sampson)
by Drew Morton

BERGMAN SENSES (Thomas Elsaesser, Anne Bachmann and Jonas Moberg)

BERGMAN SENSES (Thomas Elsaesser, Anne Bachmann and ...
by Catherine Grant