Just TV

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Complex TV: Evaluation

It’s time for another chapter of Complex TV – this one focuses on questions of evaluation in television scholarship. Here’s the abstract: ... read more »

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The Scenic Rhythms of Game of Thrones

I finished watching the second season of Game of Thrones last night, which I enjoyed, but liked less than the first season (no spoilers forthcoming if you’re not caught up yet). I think a large part of that distinction came from how I watched them – like many, I came to season one late, bingeing on the entire 10-episode run in about a week. I had been spoiled on the season’s main death, but still very much enjoyed the narrative momentum and world-building. ... read more »

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Behind the Scenes of a Serialized Intertext

One of the reasons I most enjoy studying the fan culture side of media studies is that fans can come up with some fascinating stuff, a boggling array of creativity discovered through the contraints provided by the source texts. I document some of the most interesting examples I’ve found in my chapter on “Orienting Paratexts,” ranging from The Tommy Westphall Universe Theory to The Wire‘s D&D alignment chart. ... read more »

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Complex TV: Transmedia Storytelling

It’s time for another chapter of Complex TV to go live on MediaCommons Press—this time, the topic is Transmedia Storytelling. It builds on work I have done in recent years about how television narratives expand into other media, especially around Lost and its ARGs, but very few of the chapter’s ideas have been published elsewhere. ... read more »

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Community and Dan Harmon’s Imploding Author Function

The television-obsessed corner of the Internets is burning up with discussion of Friday’s late TV news: Sony ousted Dan Harmon as Community showrunner. ... read more »

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Complex TV: Authorship

I’m happy to announce that the next chapter of Complex TV has been posted. It’s focused on Authorship in contemporary serial television, and I think it’s all never-before-published material. I’ve been giving a talk based on this chapter for this spring, and have been really happy with the conversation it provokes – and I do intend the chapter’s conclusion as a provocation in a number of ways. I look forward to reading people’s comments and feedback on the MediaCommons site. ... read more »

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Complex TV: Orienting Paratexts

I’m pleased to post the next chapter of Complex TV, focused on the topic of Orienting Paratexts. Here’s the abstract: ... read more »

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Girls and the Jump to Judge

I’d decided not to write about the pilot of Girls, the new HBO show that has either been hailed as the channel’s great comedy hope, or a crime against humanity (or maybe some middleground somewhere too). But after reading a lot of the criticism and commentary, and getting into at least four lengthy conversations on Twitter about it, I figured I’d assemble some thoughts to join in the fray beyond 140 characters. ... read more »

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Justifying David Simon

Last week, the TV-themed corners of the Internets were all atwitter around a pair of interviews David Simon gave, first to The New York Times, then to Alan Sepinwall at HitFix. ... read more »

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Complex TV: Beginnings

I have decided to use my blog here in tandem with the site for Complex TV to offer context & references for each chapter as I release them this spring/summer. I hope this is useful in both promoting readership, and making it transparent how this book is coming together out of earlier pieces and new analyses. ... read more »