by Alex Juhasz — Pitzer College
August 10, 2011 – 08:07
I was hesitant to see Miranda July’s new film, The Future, because while I’m a fan of her earlier avant-garde art practice (and even a supporter and friend during this period of her career, shout out to Big Miss Moviola), the trailer’s sickly smell of and reviewer’s attention to its twee-hipsterism seemed to speak completely outside the daily confines of my interests as a middle-aged, lady-professor Mommy (although I walk the same streets, drink the high-priced coffee, and ... read more »