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An Agent-Independent Task Learning Framework. United Kingdom: Department of Computer Science, University of Bath, 2008.
Emotions: {T}he Art of Communication Applied to Virtual Actors. United Kingdom: Department of Computer Science, University of Bath, 2006.
An Evaluation of Behaviour Oriented Design for Robotic Applications. University of Bath, 2010.
A Framework for Reactive Intelligence through Agile Component-Based Behaviors. University of Bath, 2003.
A Graphical User Interface for Creating and Editing Plans. University of Bath, 2003.
Intelligence by Design: {P}rinciples of Modularity and Coordination for Engineering Complex Adaptive Agents. Cambridge, MA: {MIT}, Department of {EECS}, 2001.
Sexual Attraction and Inter-Sexual Dominance Among Virtual Agents –- Replication of Hemelrijk's DomWorld Model with NetLogo. University of Bath, 2003.
The Study of the Evolution of Macaque Complex Despotic Societies. University of Bath, 2003.
The Subsumption Strategy Development of a Music Modelling System. University of Edinburgh, 1992.
Action Selection for Intelligent Systems. The European Network for the Advancement of Artificial Cognitive Systems, 2006.
Detecting Individual Differences in Beliefs Through Language Use. Department of Computer Science, University of Bath, UK, 2006.
An examination of the role of prestige in cultural evolution with the aid of agent-based modelling. Department of Computer Science, University of Bath, UK, 2006.
On Teaching Infinite Jest In Infinite Summer., 2009.
The reactive accompanist: {A}pplying subsumption architecture to software design. Edinburgh, Scotland: University of Edinburgh, 1992.
ScreenSite. Tuscaloosa, Ala.: University of Alabama Department of Telecommunication and Film, 1994.
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A Simulated Exploration into the Growth of Modern Terrorist Networks. Department of Computer Science, University of Bath, UK, 2006.
"Accidental Deaths: The Violence of Representing Childhood in "Law and Order: Special Victims Unit"." Red Feather Journal 2, no. 2 (2011): 1-17.
"Act locally, sell globally: Inuit media and the global cultural economy." Continuum 22 (2008): 327-340.
"African Masks and the Arts of Passing in Gertrude Stein's {"Melanctha"} and Nella Larsen's {"Passing"}." Journal of the History of Sexuality 4 (1993): 230-263.
"Agent-based models as scientific methodology: {A} case study analysing primate social behaviour." Philosophical Transactions of the Royal Society, B –- Biology 362 (2007): 1685-1698.
"Arthur Gordon Pym and the Novel Narrative of Edgar Allan Poe." {Nineteenth-Century} Literature 47 (1992): 349-361.
"Assaulting orthodoxies in screen studies: Journalismo, scopophobia, and semiologos." Semiotica. 116, no. 2-4 (1997): 373.
"Bartmania: The Social Reception of an Unruly Image." Camera obscura. (1996): 61.
"Batman versus The Green Hornet: The Merchandisable TV Text and the Paradox of Licensing in the Classical Network Era." Cinema Journal 49, no. 2 (2010): 63-85.
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"The Best of Both Worlds?: Youth, Gender, and the Postfeminist Sensibility in Disney's "Hannah Montana"." Feminist Media Studies 13, no. 4 (2013).
"Book Reviews - Americanizing the Movies and {'Movie-Mad"Audiences,} 1910-1914." The journal of American history. 93 (2007): 1289.
"Cartoon Realism: Genre Mixing and the Cultural Life of The Simpsons." The Velvet light trap., no. 47 (2001): 15.