Res Gestae

Karen Hellekson's picture

Upgrading to Windows 8

I bit the bullet and upgraded my Windows 7 laptop to Windows 8, seduced by the promise of faster boot times and more security, not to mention its decent price. I downloaded the installer, had it check my system for compatibility, paid my money, and let the OS install. I did not bother backing up or migrating any info, because everything I care about is in my perfectly synced Dropbox account. ... read more »

Karen Hellekson's picture

Fan Culture, ed. Larsen and Zubernis

Fan Culture book cover

Fan Culture book cover ... read more »

Karen Hellekson's picture

Creating a fandom via YouTube

I just got my copy of the book my Verbotene Liebe essay appears in! Check out the pretty cover.

Book cover

My article is in part 2, “Constructing Identity in an Online, Cross-cultural World.” Here’s the full citation info.

Hellekson, Karen. 2012. Creating a fandom via YouTube: Verbotene Liebe and fansubbing. In New media literacies and participatory popular culture across borders, edited by Bronwyn T. Williams and Amy A. Zenger, 180–92. New York: Routledge. ... read more »

Karen Hellekson's picture

TWC No. 9 Fan/Remix Video

Transformative Works and Cultures has released No. 9, Fan/Remix Video, guest edited by Francesca Coppa and Julie Levin Russo. This vid- and image-heavy issue makes good use of the multimedia components of an online-only environment. ... read more »

Karen Hellekson's picture

Best SF this year!

The best SF I’ve seen this year—and admittedly it’s January 9, so there’s some time left in 2012 to go—has to be the opening credits of the 2011 David Fincher film The Girl with the Dragon Tattoo. The imagery is drawn from the three books in the Millennium series. But it’s an incredible articulation of the melding of body and machine; in it, the heroine is seen not to be born, but rather forged: ... read more »

Karen Hellekson's picture

On style

Life has taken a backseat to editing work, which has kept me either gainfully employed or insanely busy–whichever. Same thing. Within the past 3 months, I’ve switched to doing mostly book work, because it pays better than journal work, although this has occasioned its own bumps. Notably, authors, hi, don’t know if you know this, but if you don’t return the work, I DON’T GET PAID. So, um, if you could return those corrections, that would be great! ... read more »

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On being copyedited

A bunch of my academically employed Facebook/Twitter/social media du jour friends posted a link to an interesting article over at the Chronicle: Shame in Academic Writing. It’s all about how academics secretly think that their writing is terrible, and it makes them sad. This quote from a poor advisee sums it up:

“Is it normal,” he asked in a small voice, “to feel stupid after getting an edited manuscript back?”

Answer: Yes. Why, yes. ... read more »

Karen Hellekson's picture

DOIs and URLs

I recently received an e-mail from the DOI folks announcing that the styling doi:10.3983/twc.2011.0271 (with the doi: prefix run into the DOI number) may be replaced with the actual URL that the DOI links to—in this case, http://dx.doi.org/10.3983/twc.2011.0271. This is big news indeed! But it is news that is unlikely to result in immediate action on anybody’s part. ... read more »

Karen Hellekson's picture

MiT7 on the horizon

I leave tomorrow for the Media in Transition 7 conference, the theme of which is Unstable Platforms: The Promise and Peril of Transition. My paper is called Academic Journals Online, and in a move that will surprise no one, I will talk about (among other things) Transformative Works and Cultures, the online-only Open Access Gold fan studies journal I coedit with Kristina Busse. ... read more »

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American remakes of British television

It’s out! Carlen Lavigne and Heather Marcovitch edited American Remakes of British Television: Transformations and Mistranslations, and I just received my contributor copy. My essay is entitled “Memory and the 1996 American Remake of Doctor Who.” Other TV shows discussed in the volume include American Idol, Cracker, What Not to Wear, Queer as Folk, The Office, Life on Mars, and Steptoe and Son. The essays are divided into three sections: Methods and Mechanics, Personal and Political, and Text and Context. ... read more »